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GALLERY
Akasha
Field · Space · Potential
Akasha is concerned with space rather than form.
It invites attention to soften and widen, allowing meaning to emerge not through focal points, but through atmosphere, layering, and quiet resonance.
The work reveals itself gradually, through sustained presence and perceptual openness rather than directed looking.
(Ink on Perspex)
Akasha is concerned with space rather than form.
It invites attention to soften and widen, allowing meaning to emerge not through focal points, but through atmosphere, layering, and quiet resonance.
The work reveals itself gradually, through sustained presence and perceptual openness rather than directed looking.
(Ink on Perspex)
Shakti
Energy · Force · Containment
Shakti operates through intensity rather than suggestion.
It engages attention directly, holding energy in a state of tension and containment.
The work does not resolve quickly; instead, it sustains its charge over time, asking the viewer to remain present with force, movement, and luminous pressure.
(Ink on Perspex)
Shakti operates through intensity rather than suggestion.
It engages attention directly, holding energy in a state of tension and containment.
The work does not resolve quickly; instead, it sustains its charge over time, asking the viewer to remain present with force, movement, and luminous pressure.
(Ink on Perspex)
Om Shanti
Stillness · Integration · Return
Om Shanti is oriented toward stillness and integration.
It invites attention to settle rather than search, allowing perception to quiet and stabilise.
Meaning emerges not through accumulation, but through reduction, a return to balance, coherence, and sustained calm.
(Ink on Perspex)
Om Shanti is oriented toward stillness and integration.
It invites attention to settle rather than search, allowing perception to quiet and stabilise.
Meaning emerges not through accumulation, but through reduction, a return to balance, coherence, and sustained calm.
(Ink on Perspex)
Triptaminiscule
Perception · Duration · Presence
This set reveals itself through sustained attention.
Its forms do not present meaning outright, but emerge slowly as perception deepens through time and return.
(Ink on Perspex)
This set reveals itself through sustained attention.
Its forms do not present meaning outright, but emerge slowly as perception deepens through time and return.
(Ink on Perspex)
Sekhmet
Force · Rupture · Transformation
Sekhmet confronts perception through force and disruption.
The work operates at the threshold where form destabilises and intensity takes precedence.
Rather than offering balance, it sustains tension, holding transformation in an unresolved state that unfolds through prolonged engagement.
(Ink on Perspex)
Sekhmet confronts perception through force and disruption.
The work operates at the threshold where form destabilises and intensity takes precedence.
Rather than offering balance, it sustains tension, holding transformation in an unresolved state that unfolds through prolonged engagement.
(Ink on Perspex)
Gaijin
Displacement · Friction · Construction
Gaijin operates at the threshold of belonging.
It engages perception through displacement and friction, where meaning is not resolved but constructed through overlap, interruption, and tension.
Rather than offering coherence, the work sustains instability, asking attention to remain present with what does not settle.
(Ink on Perspex)
Gaijin operates at the threshold of belonging.
It engages perception through displacement and friction, where meaning is not resolved but constructed through overlap, interruption, and tension.
Rather than offering coherence, the work sustains instability, asking attention to remain present with what does not settle.
(Ink on Perspex)
Miiraku
Illumination · Passage · Transmission
Miiraku engages perception through illumination rather than form.
Light acts as a threshold, partially revealing, partially obscuring, allowing meaning to pass through layers of surface, symbol, and intensity.
The work unfolds as a transmission, encountered gradually through sustained attention rather than immediate comprehension.
(Ink on Perspex)
Miiraku engages perception through illumination rather than form.
Light acts as a threshold, partially revealing, partially obscuring, allowing meaning to pass through layers of surface, symbol, and intensity.
The work unfolds as a transmission, encountered gradually through sustained attention rather than immediate comprehension.
(Ink on Perspex)
Jimi
Expression · Improvisation · Presence
Jimi is presence in motion.
It engages perception through expression and improvisation, where form is not fixed but continuously becoming.
Rather than resolving into likeness, the work sustains immediacy, a record of intensity held in the act of emergence.
(Ink on Perspex)
Jimi is presence in motion.
It engages perception through expression and improvisation, where form is not fixed but continuously becoming.
Rather than resolving into likeness, the work sustains immediacy, a record of intensity held in the act of emergence.
(Ink on Perspex)
Tora
Vigilance · Presence · Guarding
Tora is awareness.
It belongs in a living space because vigilance is not an event , it is a posture sustained through time, posture, and repeated encounter.
(Ink on Perspex)
Tora is awareness.
It belongs in a living space because vigilance is not an event , it is a posture sustained through time, posture, and repeated encounter.
(Ink on Perspex)
Torii
Threshold · Passage · Invitation
Torii is the moment before arrival.
Tori is the quiet recognition that one is crossing into a different mode of attention.
In a living space, it does not decorate the threshold; it teaches the act of entering to be conscious.
Torii is the moment before arrival.
Tori is the quiet recognition that one is crossing into a different mode of attention.
In a living space, it does not decorate the threshold; it teaches the act of entering to be conscious.
Tōrimichi
Passage · Attention · Presence
Torii and Tora operate through movement.
One marking entry, the other sustaining awareness.
Together they transform the act of living into a continuous passage between openness and attentiveness, where meaning unfolds through use, not display.
Torii and Tora operate through movement.
One marking entry, the other sustaining awareness.
Together they transform the act of living into a continuous passage between openness and attentiveness, where meaning unfolds through use, not display.
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